Meet
Valerie Storey, multi-talented author and artist. This accomplished woman
doesn’t limit herself to just one genre. She’s writes fiction for adults, young
adults and middle grade readers. In her spare time, she writes self-help books
for other writers. Oh wait, there’s more! When she’s not writing, she dabbles
in watercolors, pottery and collage. Welcome, Valerie.
You’re such a prolific
writer. Tell us a little about your journey to publication and your first sale.
I’d
always loved to read and write, but when my family moved to New Zealand from
California just after my seventeenth birthday, the idea of creative writing was
strongly discouraged. It’s hard to believe now when New Zealand produces such
high quality writers, artists, and film makers, but back then, creativity was
frowned upon, especially when I had all these American ideas about “do your own
thing” and being a free spirit.
It
wasn’t until I moved to London eight years later and met up with the New
Zealand science fiction and fantasy writer, Hugh Cook that I realized I’d been
listening to all the wrong people! Hugh had just published his first book, Plague Summer, and he encouraged me to
dive into my own writing. I owe him a huge debt of gratitude for telling me
things like “buy a journal and just start writing—it doesn’t matter what, just
write.” A couple of years after that I moved back to the USA and started
writing my first novel, a mystery for children. When it was finished I marketed
it extensively and had some of the most positive rejection letters of my life.
Over and over the book came so close to being published, but then it would be
rejected. Finally I sent it to Dillon Press, and they loved it too—so much so
that they wanted it, and then presto—the children’s fiction department closed.
The editor who had wanted to buy it was still very impressed with my writing
and she asked if I would be interested in writing a nonfiction book for the
company. The only criterion was I had to have lived in a foreign country. I
told her I had lived in New Zealand and England. Right away she wanted a book
on New Zealand, so I got my first contract and my first experience working with
an editor. The book was titled, New
Zealand Land of the Long White Cloud, and was part of Dillon’s Discovering Our Heritage series. It was
an interesting book to write as I had to do tons of research and find the
photos to illustrate the various chapters. I learned a lot from that entire
episode and in many ways it helped me to be the writer I am today.
Do you have a favorite
genre?
I’m
always intrigued by anything labeled “literary” or “experimental” or “gothic.”
I especially enjoy it when writers step outside the genre(s) and mix these
three things together. For instance, one of my great favorites is House of Leaves by Mark Z. Danielewski
simply because reading it is such an adventure—there’s so much going on—humor,
puzzles, mystery, even a romance. I think it’s a wonderful book.
What is your most rewarding
moment since being published?
I
think I’d have to say teaching writing, or presenting a workshop. It’s so
inspiring to help a new writer get going and find his or her voice. Best of all
is when I hear a former workshop-participant has just published a book or an
article somewhere.
Any thoughts on book
reviews?
I
must say I’ve rarely purchased a book because of a review—too many times what
everyone else has praised has turned out to be a book I couldn’t stand, or else
the book I thought was a masterpiece ends up being dragged through the mud!
Mainly I read reviews just to see what’s happening in the publishing world, and
if the theme or something about the characters catches my interest, I’ll want
to read the book regardless of what the reviewers say. Sometimes a flurry of
bad reviews will really get my attention and then I want to see what the fuss
is about!
Is there anything you
find particularly challenging in your writing?
Screenplay.
Screenplay. Screenplay. I think it’s the most difficult form of writing on
earth, and I don’t know why I’m drawn to it. Sometimes it seems like such a
futile exercise as the odds of selling a script, and then having it produced as
a feature film are overwhelming. Yet, I persist for some crazy reason. I think
it’s because I enjoy writing treatments, setting up my plot points, and seeing the
hidden “symbolism” and visuals I could include in the story. But when it comes
to writing the actual script, I find it very, very difficult. I’m too wordy; I
want to describe things too much. Screenplays are my Mt. Everest.
Are you working on a new
project?
I’m
working on three: the second draft of a new novel set in both New Mexico and
New Zealand; a screenplay (LOL) about a dysfunctional family and their last
summer weekend together; and a nonfiction book on pet ownership. Of these
three, the novel is my highest priority right now. The nonfiction book is a
good project to work on when my energy for the novel is lagging, and it gives
me plenty of inspiration for my artwork. The screenplay is “just because it’s
there.” (Sometimes I wish it wasn’t.)
Do you have a recent or
upcoming release? How about sharing a blurb with us.
My
latest book, Overtaken is a gothic
fantasy that came out in paperback just a few months ago. The Kindle version
came out on July 31, a big step for me to enter the world of e-books! If you go
to my Amazon.com listing for the book, you can check out the “Look Inside the
Book” feature and read a selection there.
I
also have a trailer for the book on Youtube.com as well as on my website www.valeriestorey.com, my blog www.valeriestorey.blogspot.com,
and my Amazon Author Page. All of these sites also have my trailers for The Great Scarab Scam, an Egyptian
mystery for young readers, and Better
Than Perfect, a YA set in New Zealand. Did I mention I love making
trailers?
Any advice for aspiring
writers?
It’s
such a terribly overused cliché, but I truly believe in: Write every day. I can’t overstress the importance of working not
just on your WIP every day, but also doing a daily writing exercise. For the
past few years my favorite thing has been to take a picture from a magazine (the
stranger the photo the better) and then write anywhere from 3-5 pages about
what I see or feel. Some days I’ll be in a fiction mood, other times I’ll write
a poem or a personal essay about an incident in my childhood. But the point is
to write from an attitude of surprise without any preconceived ideas of what
I’m “supposed” to be doing. The benefit of this exercise is that not only is it
super-fun, but many times what I’ve written finds its way into my current WIP.
Whether it’s a description of a setting, a conflict scene, or a series of
character biographies, I’m constantly amazed at what you can do with this
exercise.
Most writers are avid
readers. What are you reading right now?
Special Topics in
Calamity Physics, a Novel, by Marisha Pessl. Now that’s what I call an experimental
title! It’s a gothic mystery and absolute page-turner, and it’s totally ruining
my life—I can’t put it down.
Thank you so much for
giving me this opportunity to talk about my work, Marilee! In return I’d like
to tell your readers that from now until December 31, 2012, anyone who orders
any of my books direct from my website, www.valeriestorey.com, will receive a FREE copy of The Essential Guide for New Writers, From
Idea to Finished Manuscript. All they have to do is let me know they read
your blog. Happy Writing!
Currently based in
Albuquerque, New Mexico, Valerie Storey is the author of eight books ranging
from fiction for young readers to nonfiction for adults. Before moving to the
Southwest, Valerie lived in Carrollton, Georgia, as well as in various parts of
California, England, and New Zealand. Her most recent novel, Overtaken, was inspired by her time
spent in London where she studied and
researched art history at the National Gallery for two years.
Although her primary focus is
now on writing, Valerie is also a creative writing teacher and freelance
editor. Her how-to book, The Essential
Guide for New Writers, From Idea to Finished Manuscript is based on her series of workshops.
Valerie has taught in the graduate professional writing program at Kennesaw
State University and has presented numerous workshops for the International
Women’s Writing Guild.